Backgammon

Lovely Mayra from eVe without Adam shows us what else
one can do with Backgammon.

Y-3 Backgammon Game

Photography: Robert Wunsch
Styling: Linda Ehrl
Make-Up: Kathleen Kelly
Model: Mayra Fateh

Rocky Ragazzo

Am 1. April eröffnet das Rocky Ragazzo am Strausberger Platz. Ein Landhaus
zwischen Stalinbauten wird es werden, konzipiert und geführt von Sonya Netzle und
Anja Wiroth. Die beiden Mädels arbeiten eigentlich seit Jahren in der Unterhaltungs-
industrie, doch teilten die Vision einen Treffpunkt für die Menschen aus den Bereichen
Musik, Mode, Film und Kunst zu schaffen, der gemütlich, aber glamourös zugleich ist.
Ob zum Launch oder ein Glas Wein nach der Arbeit, auf einen Tasse aus der
hauseigenen Teemischung oder ein Stück Cheescake: Im Rocky Ragazzo kommt man
als Gast, geht als Freund und kehrt wieder als Teil der Familie.

Bill Steber

Music is the heart of the Dance! Although not associated with dance, Bill Steber
documented the american Blues scene with an amazingly sensitive eye for the
physical expression of sounds.
Although they look like they've been shot at least 40 years ago these photographs
below are from the 90's.



































































































































More of Bill Steber here

Censored dancing

Work hard, party harder

Just found this picture...

Thing are getting wild

Here some pictures of the latest KittyKat shoot

Dance Photography

Check out Lois Greenfield's dance pictures!




























































Greenfield’s photos are instantaneously projected onto the backdrop,
adding a new element to the performance and giving the audience the
opportunity to see a moment of the dance they would otherwise miss.
Ms Greenfield’s career spans 30 years, in which she has photographed
many legends of the dance world including Merce Cunningham and
Martha Graham, as well as working on commercial ad campaigns and
publishing collections of her work. 'Held' is her first choreographic
collaboration. I met with Lois Greenfield, while she was in London on
the firs leg of the UK tour of ‘Held’ to discuss the show and her work.

Heart of Dance

The River North Chicago Dance Company gives us a peek into what their dancers are
made of in these new ads by Y&R Chicago.
The photography is by Erika Dufour and illustration by Alex Gross.

BASEL WORLD JOB 2010

Like...

by Bruce Monk

Vintage

By Rainer Elstermann

Famos dancers II - Anna Pavlova -Ballet

The world will forever remember the Russian ballerina,
Anna Pavlova, who brought a more traditional feel to
classical ballet. Anna was born in St. Petersburg in 1881.
She was a tiny baby, born two months premature.
Her mother was a laundress; her father died at a very
young age, when Anna was only two years old.

Inspiration to dance:
On her ninth birthday, Anna's mother treated her to a performanceof The Sleeping
Beauty, a ballet that forever changed Anna's life. She decided then that she would one
day dance on stage. She began taking ballet lessons and was quickly accepted into the
Imperial Ballet School.

Ballet style:
Anna was not a typical ballerina of her day. At only five-feet-tall, she was delicate
and slender, unlike most of the students in her classes. She was exceptionally strong
and had perfect balance. Anna possessed many unique talents.
She soon became a prima ballerina.

Dancing around the globe:
Anna formed her own ballet company and went on tour, introducing her classical
style of ballet to the world. She visited several countries, traveling over 500,000
miles by boat and train. She gave over 4,000 performances.

Dancing in America:
America loved Anna and ballet lessons soon became popular for little girls across
the country. She soon became known as the "Sublime Pavlova." She toured for the
rest of her life, keeping a home in London. She had a love for exotic pets, several
of which kept her company when she was at home.

The pointe shoe:
Anna was known to have had very arched feet, which made it hard to dance on the
tips of her toes. She discovered that by adding a piece of hard leather to the soles,
the shoes provided better support. Many people thought of this as cheating, as a
ballerina should be able to hold her own weight on her toes. However, her idea was
the precursor to the modern pointe shoe.

Death:
Anna never retired from dancing. In 1931, she became ill while rehearsing for a
performance in Europe, but refused to rest. A few days later, she collapsed with
pneumonia. She died within a week of her 50th birthday.

Inspiration to others:
Anna Pavlova believed that dancing was her gift to the world. She felt that God had
given her the gift of dance to delight others. She often said that she was "haunted
by the need to dance." She became an inspiration to young boys and girls to learn
how to dance and experience the joys of ballet.

The Charleston

Echo 2010

Frösche Petzen!

Coming soon....











With Rolf Zacher....















.....Peter Besen....

... Katja Flint and me.

Staying busy...

....at the 2010 Echo Award!

Crewsmiles