Montag, 30. November 2009
Samstag, 28. November 2009
Stoppt den Hunger
Das Hunger Projekt
Wir tanzen aus Liebe zur Bewegung, aber manchmal sollten wir tanzen um etwas zu bewegen!
Wir tanzen aus Liebe zur Bewegung, aber manchmal sollten wir tanzen um etwas zu bewegen!
Freitag, 27. November 2009
Donnerstag, 26. November 2009
Mittwoch, 25. November 2009
Dancing Building
Built during 1992-96 by Frank Gehry and Vladimir Mulunic,
the Dancing Building is a piece of controversial Prague architecture
that the locals still aren't sure about. However, the delightful design
of the building is nicknamed "Fred and Ginger" for the way the building
mimics the forms of a dancing couple.
the Dancing Building is a piece of controversial Prague architecture
that the locals still aren't sure about. However, the delightful design
of the building is nicknamed "Fred and Ginger" for the way the building
mimics the forms of a dancing couple.
Dienstag, 24. November 2009
Sonntag, 22. November 2009
Samstag, 21. November 2009
Freitag, 20. November 2009
Mittwoch, 18. November 2009
Montag, 16. November 2009
Cooking up new stuff
Samstag, 14. November 2009
Dienstag, 10. November 2009
Behind the scene
Montag, 9. November 2009
Music History
Sonntag, 8. November 2009
Beth Lesser
Check out this great book by Beth Lesser: The Rise of Jamaican Dancehall Culture
Lesser gives you a deep look at the Jamaican scene of the 80s via myriad interviews,
biographies, discographies and essays. Featured artists include... well, just about
every influential name you'd expect, including Barrington Levy, Sister Nancy,
Eek-A-Mouse, Gemini Soundsystem, Toyan, Steely & Clevie, Johnny Osbourne,
Echo Minott, Michigan & Smiley, Lone Ramger, Chaka Demus, Cocoa Tea, Dillinger,
Prince Jazzbo, U Roy, Tenor Saw, Billy Boyo and on and on.
Lesser gives you a deep look at the Jamaican scene of the 80s via myriad interviews,
biographies, discographies and essays. Featured artists include... well, just about
every influential name you'd expect, including Barrington Levy, Sister Nancy,
Eek-A-Mouse, Gemini Soundsystem, Toyan, Steely & Clevie, Johnny Osbourne,
Echo Minott, Michigan & Smiley, Lone Ramger, Chaka Demus, Cocoa Tea, Dillinger,
Prince Jazzbo, U Roy, Tenor Saw, Billy Boyo and on and on.
Labels:
Book,
Dancehall,
Jamaica,
Photography
Samstag, 7. November 2009
History of Dance
JAMAICA
For most of Jamaica's history, traditional dances from Europe and Africa
have been part of feast celebrations and life-affirming rituals. The best
European example of this style of dancing is the Morris dance, brought to
Jamaica by indentured servants from England, Scotland, and Ireland.
Strong similarities among early folk dances make it difficult to dissect
characteristics and determine their origins. For example, both African and
European forms had all-male dancers, and some men dressed as animals.
It's impossible to determine which dance was more important in creating
this tradition.
Since the mid-1900s, dance in a performance setting has been developing.
Although at first, dance was taught only to light-skinned islanders, one
Jamaican girl, Hazel Johnston, would change all that. Johnston went to
England to learn music and returned to Jamaica to become the first dancer
to build her own studio – no one would rent studio space to her. She began
working toward dance theater based on Jamaica's own culture.
Johnston never saw her dream come to fruition because she died young.
But Ivy Baxter, a student of Johnston's, managed to fuse classical styles
and Jamaican folk dances. She founded the Ivy Baxter Creative Dance
Group in 1950. Rex Nettleford joined this group, as did Eddy Thomas.
The group began teaching summer courses in dance at the University of
the West Indies, where Nettleford taught.
Upon Jamaica's independence in 1962, a production known as "Roots and
Rhythms" was choreographed by Baxter, Nettleford, and Thomas. They
formed the National Dance Theatre Company soon afterward, led by
Nettleford and Thomas. They perform annually in July or August in
Jamaica but spend time touring as well, despite being an all-volunteer group.
Over time, nearly 40 distinctive dances have been identified, but there are
seven main styles that Jamaican dances fall into: Maroon, Myal, Kumina,
Revival, Rastafari, Jonkonnu, and Hosay. All but Jonkonnu and Hosay are
considered to be religious dances, while the others are secular. Jonkonnu
dances still exist today, as does the Revival dance style of Pukkumina.
More to come...
For most of Jamaica's history, traditional dances from Europe and Africa
have been part of feast celebrations and life-affirming rituals. The best
European example of this style of dancing is the Morris dance, brought to
Jamaica by indentured servants from England, Scotland, and Ireland.
Strong similarities among early folk dances make it difficult to dissect
characteristics and determine their origins. For example, both African and
European forms had all-male dancers, and some men dressed as animals.
It's impossible to determine which dance was more important in creating
this tradition.
Since the mid-1900s, dance in a performance setting has been developing.
Although at first, dance was taught only to light-skinned islanders, one
Jamaican girl, Hazel Johnston, would change all that. Johnston went to
England to learn music and returned to Jamaica to become the first dancer
to build her own studio – no one would rent studio space to her. She began
working toward dance theater based on Jamaica's own culture.
Johnston never saw her dream come to fruition because she died young.
But Ivy Baxter, a student of Johnston's, managed to fuse classical styles
and Jamaican folk dances. She founded the Ivy Baxter Creative Dance
Group in 1950. Rex Nettleford joined this group, as did Eddy Thomas.
The group began teaching summer courses in dance at the University of
the West Indies, where Nettleford taught.
Upon Jamaica's independence in 1962, a production known as "Roots and
Rhythms" was choreographed by Baxter, Nettleford, and Thomas. They
formed the National Dance Theatre Company soon afterward, led by
Nettleford and Thomas. They perform annually in July or August in
Jamaica but spend time touring as well, despite being an all-volunteer group.
Over time, nearly 40 distinctive dances have been identified, but there are
seven main styles that Jamaican dances fall into: Maroon, Myal, Kumina,
Revival, Rastafari, Jonkonnu, and Hosay. All but Jonkonnu and Hosay are
considered to be religious dances, while the others are secular. Jonkonnu
dances still exist today, as does the Revival dance style of Pukkumina.
More to come...
Freitag, 6. November 2009
Donnerstag, 5. November 2009
Photoshoot
Some time ago I posted a picture from the photoshoot with Michael Kämpf.
Now my girls just finished this trailer.
Thanks ladies!
Now my girls just finished this trailer.
Thanks ladies!
Mittwoch, 4. November 2009
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